I'm going to be shooting some stuff off-and-on over the next few weeks for a client who is also a good friend. He's the producer of the project although, normally, he's not a producer. I'm helping him with some things that he's not overly familiar with. It's not that he hasn't been around productions before. He has. I'm just making sure he doesn't overlook things. When people show up on a set is not the best time to discover what's been overlooked.
I'll be shooting the stills in the garage of a location house. I've already been to this house so I know what it looks like. It has a two-car garage but not a very large 2-car garage. Plus, there's lots of boxes and other crap stacked against all the walls of the not-especially-large garage. My friend wants the pretty girl stills shot on a seamless. "Great!" I told him. "That makes things easier for me."
I asked my pal to ask his art guy if he wants me to use a standard white seamless or something else; some other color, that is. I'd prefer gray and asked my friend to mention gray but the art guy, as expected, said white. No problem. I can do white. After all, I've only done white about a bazillion freakin' times.
It's a small production so my friend, the producer, is also the production manager, production assistant, occasional gopher, and more. My friend is also in possession of the production funds and will be cutting the checks. That still makes him the boss regardless of what other production tasks he might choose to perform in order to keep costs down.
My buddy asked me where he should go to get the seamless. I directed him to a local camera store: One I know carries a good supply of seamless rolls. "Do they come in different sizes?" he asked. "If so, what size should I get?"
I told my friend to get the smaller width, not the 9' width, because the garage we'll be shooting in is kind of cramped. I could fit a 9' in there but then my lights would have to be on the seamless and I'd be dealing with light from my rear accent lights bleeding onto the background. I can certainly deal with that but I'd prefer not to have to.
Somehow, I thought the smaller width rolls were 5' or 6' wide. I was wrong. They're 4.5' wide. I've never shot with a seamless BG other than with the 9' rolls. Not once. Ever.
At first I thought this might be a bit of a hassle. But then I thought, "Why do I care if my shots are wider than the seamless?" After all, when putting together the art work, the art guy is going to cut the models out of the shots anyway. All I'll have to do is keep the model, including her arms and legs, inside the width of the seamless and not worry about seeing the seamless (or the stands holding it up) in my frames. Plus, the majority of my shots will be 3/4 body shots so that helps too. The garage doesn't have a finished ceiling but, like most garages, it has rafters and they are only just over 8' high. I'd prefer more height but I'll deal with the height issue easily enough. Being adaptable is key to any photographer's abilities to get the shot.
Anyway, not much of an update. Just talking about something new. Leastwise, for me it's new... shooting with a 4.5' wide seamless, that is.
Model at the top is Charlotte. She isn't particularly small, the chair is particularly large.