How about that Devi? (Pictured left.) The word, "sultry" comes to mind, no?
I became so sick of looking at all that red brick I decided to de-saturate the color to the point it's all muddled and barely remains in the spectrum. I'm not sure I like the overly de-saturated color all that much but I think I like it better than leaving all that brightly-lit, distracting and attention-grabbing red freakin' brick glaring in the image.
I mentioned, in a previous post, that I had little room to place the models further from the brick wall. If I had, the light fall-off would have darkened the brick to the point it wouldn't be so distracting. Or, if I had some other grip gear with me, flags or grids or whatever, I could have dealt with it differently. But that was not to be. You might think I'm obsessing on the brick wall and perhaps you're right. Maybe that's why I keep playing Pink Floyd's, "The Wall," over and over?
It's not that I don't like brick walls per se. They're okay. And sometimes they work out really nicely. But I take my pretty girl shooting seriously and when elements of a photo don't work for me, especially when it's due to conditions beyond
In the end, whichever of these pics are used by some graphic designer will probably include cutting the model out from the dread, red-brick BG. And upon seeing that end result, I'll probably be okay with the use of the image. So maybe I should yank the Pink Floyd CD out of the stereo?
Maybe.
Sultry Devi shot with my Canon 5D w/28-135 IS USM. (Possibly the best, damn, inexpensive, all-purpose, utility lens Canon has ever produced.) Exposure was at ISO 100, f/8 at 100.
5 comments:
"a sudden breakdown of my skills, i.e., sort of like "skills amnesia" "
I wish that didn't sounds so familiar. Thankjs for saying it can happen to anyone.
Kinda funny, isn't it? Clients pay us with expectation of our best work but do everything in their power to prevent it?
Your work, even under such silly circumstances, is still strong Jimmy. "Skills amnesia my a$$", I wish I could forget as much as you did!
Interesting posts of late... but back to the light - was any ambient creeping in shooting at 100th? also, was there any light bounce back coming from that red wall?
Hey Jimmy... Completely off topic here, but I was wondering if you had any Canon rangefinder experiences to share yet.
@Anon-- No, there's wasn't much ambient to deal with. There was a large bank of windows on one side of the room but they had dark-stained, wooden, Venetian blinds hung on them and I closed them up.
@Wilt-- Unfortunately, the first roll is still in the camera. But, it's almost finished--just a couple of snaps left--and i'll be taking it in for processing and scanning real soon.
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