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I don't care how clever you are with lighting, how brilliantly you direct the model, or even--at times--how smokin' hot your model might be. Nothing, and I mean nothing, will improve your images more than MUAs and hair stylists who are on their game. That's not to say there aren't models who are just about as competent doing their own hair and makeup as a whole lot of MUAs and hair stylists, there are. But, mostly, they're not. And if you really want to capture images that stand out, "just about as competent" doesn't cut it.
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Check it out-- A hot and experienced model shows up, the MUA works her fantastic magic on the model's already beautiful face and she or he provocatively styles her mane. I, we, the shooters, set up a few lights, sip some coffee or a Coke, take some readings, and decide what music to put on the CD player. Finally, the smokin' hot model who now, thanks to the MUA, is even more smokin' and more hot gets in front of the camera. I, we, say, "Say cheese," and BAM! Our clients are all patting us on the backs and telling us what great shooters we are as they write the check. How cool is that?
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In a perfect world, shooters would get a little less credit for their best images when an MUAs hand was in the mix. Or, at the very least, MUAs would get more credit. But it ain't a perfect world. And, I suppose, from where shooters sit, right or wrong, that's a pretty good thing.
The smokin' hot model you were ogling in this post is Charmane. The keen and gifted MUA who also did Charmane's hair (which I kind of messed up with my Stanley Tools wind machine) and who didn't get as much credit as she deserved as well as only earning one check (I got most of the credit and Charmane got most of the dough) was Terese Heddon.
1 comment:
Great advice, so very true.
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