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I had never shot this sort of stuff before. When I asked what they were looking for, the designer simply said, "A bit dark and edgy."
How dark and how edgy I did not know. After all, "dark and edgy" covers a lot of ground. But I didn't want to sound like we--the designer and I--weren't on the same page so I nodded and intelligently replied. "Aaaah. Okay." Synergy is an important thing, especially between a designer and the person who will photograph their designs.
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Since the fashion folks wanted the images shot on a seamless, my biggest concern was posing the models. I was confident I could do something that qualified as "dark and edgy" lighting-wise without too much of a problem. Most of my experience, however, is with women: Posing them in provocative, sensual ways. I figured "provocative" should remain somewhat in the equation but I wasn't sure "sensuous" was what I should be going for. At least, not from the perspective of my personal definition of "sensuous."
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In the end, the shoot went fine. The models were easy to work with. They were very macho guys! Interestingly, the models were more concerned with me shooting them in a masculine manner than I was. The designer and the "fashion marketing consultant" he brought along with him seemed satisfied with the images. The MUA, Davia, was noticeably more happy working with these "hunks" than with the usual pretty girls.
Sorry, but I don't recall the names of the models. Images were captured with a Canon 20D w/ 85mm prime, ISO 100, f/4 @ 125th. As I recall, I used two light sources: A Mola beauty dish camera right and a little behind the models and a small softbox, boomed overhead, from behind. I also set a 3' x 5', white, reflective panel to bounce fill back in from the front.
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