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Fortunately, there was a large awning over a patio area in the backyard. It provided complete shade. I had brought along a couple of monolights with stands, a 5' Octodome, and a small, white umbrella. I also had a large, silver reflector.
I figured I could place the model in the shade and frame her and light her so that it appeared she was standing in the direct sunlight with the valley behind her. The clients, btw, did not want the home, as nice and upscale as it is, as the background to the images.
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Time was also an issue as we only had the location for a few hours. Also, the client had many guests at the shoot, most of whom had cameras, and nearly all of whom wanted to ask a lot of questions regarding why I was doing this and that. Of course, they also wanted to interact with the models which made keeping the model's attentions focused and directed towards me difficult. It was a bit strange having more than a half-dozen guys standing behind me while I was shooting and, every time I snapped a shot, there would be a barage of on-camera strobes going off right after I'd click one off.
One of the models the client hired for yesterday's shoot was Natalie. I've posted a few shots of her along with today's update. Natalie's from England and only in the States for a few days.
3 comments:
Sorry to hear about your studio. Glad you're taking it as an opportunity.
In your outdoor shoot, it looks as if you kept your lights about a stop below the sunlight background...maybe less, maybe a bit more, depending on the clouds, I suppose. Was that to blow out the background a bit? Did you use a neutral density filter to get less DOF?
Nice stuff, sir.
You're right-- about a stop or so less. There was so much haze (smog?) that the view was diminished quite a bit anyway. No ND filter.
Learned from a wedding photographer:
To keep gawk-tographers from stealing shots, you could rig up an optical slave that points at them, and trips all your strobes when they flash. After they get a few all-white frames, they'll give up.
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